Supplementary
Material
THE GALPIN SOCIETY
FOR THE STUDY OF MUSICAL INSTRUMENTS
Ture Bergstrøm, ‘The Music of the C F Lehmann Kunstschrank at Rosenborg Castle, Copenhagen’,
GSJ, LXVIII (2015), pp. 35-74.
Paul Dooley, ‘Reconstructing the Medieval Harp’,
GSJ, LXVII (2014), pp. 107-42.
Michael Fleming, ‘An ‘Old Old Viol’ and ‘Other Lumber’: Musical Remains in Provincial, Non-Noble England c.1580-1660’,
GSJ, LVIII (2005), pp. 89-99.
Lance Whitehead and Jenny Nex, ‘The Insurance of Musical London and the Sun Fire Office 1710-1779’, GSJ,
LXVII (2014), pp. 181-216.
Robert Adelson, ‘ “A Museum of its own”: The Musical Instrument Collection of Antonio Gautier (1825-1904) in Nice’,
GSJ, LXX (2017), pp. 5-44.
Yannick Wey and Andrea Kammermann, ‘The Swiss Alphorn: Transformations of Form, Length and Modes of Playing’,
GSJ, LXXIII (2020), pp. 65-84.
THE GALPIN SOCIETY
FOR THE STUDY OF
MUSICAL INSTRUMENTS
Supplementary
Material
Ture Bergstrøm, ‘The Music of the C F Lehmann
Kunstschrank at Rosenborg Castle, Copenhagen’, GSJ,
LXVIII (2015), pp. 35-74.
Paul Dooley, ‘Reconstructing the Medieval Harp’,
GSJ, LXVII (2014), pp. 107-42.
Michael Fleming, ‘An ‘Old Old Viol’ and ‘Other Lumber’:
Musical Remains in Provincial, Non-Noble England c.1580-
1660’, GSJ, LVIII (2005), pp. 89-99.
Lance Whitehead and Jenny Nex, ‘The Insurance of Musical
London and the Sun Fire Office 1710-1779’, GSJ, LXVII (2014),
pp. 181-216.
Robert Adelson, ‘ “A Museum of its own”: The Musical
Instrument Collection of Antonio Gautier (1825-1904) in
Nice’, GSJ, LXX (2017), pp. 5-44.
Yannick Wey and Andrea Kammermann, ‘The Swiss
Alphorn: Transformations of Form, Length and Modes of
Playing’, GSJ, LXXIII (2020), pp. 65-84.
