© The Galpin Society 2026 Registered as a charity in England and Wales (no. 306012) Terms & Conditions and Privacy Statement
THE GALPIN SOCIETY FOR THE STUDY OF MUSICAL INSTRUMENTS

Open Access

GSJ Articles

Ignace De Keyser et al., ‘Brass Instrument Production by the Mahillon Company’, GSJ, LXXVI (2023), pp. 67-108
Anne-Emmanuelle Ceulemans et al., ‘Baroque Violas with Reduced Soundboxes: An Evaluation Method’, GSJ, LXXVI (2023), pp. 109-126
Rachael Durkin, ‘The Ingenious Mr Charles Clagget: Inventor and ‘Harmonizer’ of Musical Instruments’, GSJ, LXXVII (2023), pp. 224-47
Andrew Pinnock, ‘Boring for Britain: the Design, Development and Mass Deployment of Dolmetsch Recorders, 1920–1980’, GSJ, LXXVI (2023), pp. 32-66
Any author requiring Open Access is strongly advised to consult the Editor (see Contacts ). A fee will be payable to the Galpin Society at the time of publication. For further details see Guidelines for Authors .
Arnold Myers, ‘Instrument Making of the Salvation Army’, GSJ, LXXIII (2020), pp. 30-59
Andrew Pinnock, ‘Boring for Britain (Dolmetsch Recorders 1920–1980): Six Brief Addenda’, GSJ, LXXVII (2024), pp. 83-95
Panagiotis Poulopoulos, ‘Inspiration, Influence, Imitation? The Example of the Parisian Harp and Piano Maker Georges Blaicher, “Distinguished Pupil of the Erard Brothers” ’, GSJ, LXXVII (2024), pp. 155-164
Ángela López-Lara & Luca Chiantore, ‘Hidden in Hamburg: Uncovering the Long-lost Gamelan of the 1889 Exposition Universelle’, GSJ, LXXVIII (2025), pp. 125-155
Andrew Pinnock, ‘Start Some Other Way: Edgar Hunt’s Career Journey Through and Beyond the 1930s, Mainly Avoiding Haslemere’, The Consort, 81 (2025) pp.151-188. Complements two articles by the same author, both published in the GSJ (see above). Made available online here by arrangement with the Dolmetsch Foundation, publishers of The Consort (https://www.dolmetsch.com/dolmetschconsort.htm), GSJ, LXXIX (2026)
© The Galpin Society 2026 Terms & Conditions and Privacy Statement Registered as a charity in England and Wales (no. 306012)
THE GALPIN SOCIETY FOR THE STUDY OF MUSICAL INSTRUMENTS

Open Access GSJ Articles

Anne-Emmanuelle Ceulemans et al., ‘Baroque Violas with Reduced Soundboxes: An Evaluation Method’, GSJ, LXXVI (2023), pp. 109-126
Ignace De Keyser et al., ‘Brass Instrument Production by the Mahillon Company’, GSJ, LXXVI (2023), pp. 67-108
Arnold Myers, ‘Instrument Making of the Salvation Army’, GSJ, LXXIII (2020), pp. 30-59
Andrew Pinnock, ‘Boring for Britain: the Design, Development and Mass Deployment of Dolmetsch Recorders, 1920–1980’, GSJ, LXXVI (2023), pp. 32-66
Any author requiring Open Access is strongly advised to consult the Editor (see Contacts ). A fee will be payable to the Galpin Society at the time of publication. For further details see Guidelines for Authors .
Rachael Durkin, ‘The Ingenious Mr Charles Clagget: Inventor and ‘Harmonizer’ of Musical Instruments’, GSJ, LXXVII (2023), pp. 224-47
Andrew Pinnock, ‘Boring for Britain (Dolmetsch Recorders 1920–1980): Six Brief Addenda’, GSJ, LXXVII (2024), pp. 83-95
Panagiotis Poulopoulos, ‘Inspiration, Influence, Imitation? The Example of the Parisian Harp and Piano Maker Georges Blaicher, “Distinguished Pupil of the Erard Brothers” ’, GSJ, LXXVII (2024), pp. 155-164
Ángela López-Lara & Luca Chiantore, ‘Hidden in Hamburg: Uncovering the Long-lost Gamelan of the 1889 Exposition Universelle’, GSJ, LXXVIII (2025), pp. 125-155
Andrew Pinnock, ‘Start Some Other Way: Edgar Hunt’s Career Journey Through and Beyond the 1930s, Mainly Avoiding Haslemere’, The Consort, 81 (2025) pp.151-188. Complements two articles by the same author, both published in the GSJ (see above). Made available online here by arrangement with the Dolmetsch Foundation, publishers of The Consort (https://www.dolmetsch.com/dolmetschconsort.htm), GSJ, LXXIX (2026)